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Saw her some years ago in Dublin, we are proud to have Naima in Cologne in a few months with her new album on subpop. We are full of anticipation.
Most of the writing of Naima Bock’s second album, Below A Massive Dark Land (out 27 September via Sub Pop), was a solitary affair. It may not sound it – it’s made up of strong, purposeful arrangements with a huge host of musicians; filled with cradling space and warm light. This will also come as a surprise to anyone who has seen Naima perform in the time since the release of her 2022 debut Giant Palm, undoubtedly a communal experience.
With a band of ten, three, or even just solo, when Naima plays there’s a rare bond between the musicians on stage and the audience. In their interview with her, The Quietus declared “after every song the applause and cheering is immense, so immense in fact that it seems to be coming from a different place than the usual formalities of a live show, a link between performer and artist forged somewhere deeper and more personal.”
Here some impressions
Support: louis (FOVOS ALIF)
Fovos Alif are not a product of the music industry – they are its counter-design. Their roots lie in post-punk, but their sonic vision stretches far beyond: dark, forceful, uncompromising. No songs made for playlists, no shows just to tick boxes – every performance is a manifesto against stagnation. Fovos Alif don’t play to please. They play to endure. Fovos Alif don’t play along – they tear it all down. No empty talk about algorithms or follower counts, no shows without substance. Every note hits. Every move matters. Their live shows aren’t gigs – they’re experiences. Charged, focused, physical. This isn’t rehearsal. This is ignition.